'In the exodus, I love you more' is now featured on one of my favourite photography magazines GUP! Here you can view the selection:...

I had a wonderful time conversing with Guille Lasarte for the new issue of PANTA, which also features the work of other fellow...

Hoda Afshar embraces the distance caused by leaving her homeland

Happy to be named as one of the eight up-and-coming photographers in Australia, along with some of my favourite peers and artist friends!...

Reading Max Pinckers’ powerful and engaging images, and reading what others have written about them, I am interested not only in the...

Images of lives, made to be remembered. Evidence, traces, of a history that still lives. Of souls still living. In still images, and in...

Abbas Kiarostami’s ‘Close-up’ (released in Iran in 1990) needs little introduction. This film not only introduced non-Iranian audiences...

I had the privilege of talking about my work and the ideas behind the exhibition to the audience at Brightspace Gallery today-- just a...

Thanks to Marina Trancoso for this beautiful write up on 'In the exodus, I love you more' featured on impressa magazine -- a young...

The documentary image—By embracing its reality as a fiction, and by announcing its own presence (and not only what it re-presents: the...